Showing posts with label 1973. Show all posts
Showing posts with label 1973. Show all posts

Saturday, July 20, 2013

Quangaroos - best cereal ever - 1973

The best orange flavored cereal ever.

This was my favorite cereal growing up in the 70s. It was round and orange flavored, a spin-off of Quake cereal, which had gotten the ax after losing a consumer vote to Quisp. Sadly, Quangaroos were only around a few years before losing another vote, again to Quisp. I don't remember ever eating any Quisp cereal.

Stupid Quisp.

Thursday, July 18, 2013

Spider-walking, head-spinning, floating - The Exorcist 1973

The Scariest Movie Of All Time

One of my favorite scenes in any movie ever is the famous "spider-walk" scene from The Exorcist. This was not in the original release. Director Friedkin cut the very brief scene for technical reasons (you could see the wires holding up contortionist Linda R. Hager). It was restored for re-release with the help of cgi (author and screenwriter William Peter Blatty really wanted it in).

The physical transformation of Regan (Linda Blair) from a cute chubby-cheeked girl to a head-spinning projectile-puking monster was done very well. She changes slowly over the course of the movie, rather than all at once, so you were never prepared for whatever creepy terrors would come next...


spider-walk
head-spin
floating

Tuesday, May 15, 2012

Child of God by Cormac McCarthy (1973)


Published in 1973, Cormac McCarthy's Child of God is an earthy book, full of intensely poetic prose, illuminating the land the protagonist, Lester Ballard, inhabits. Ballard, "a child of God, much like yourself perhaps" is a man cut loose from societal norms who roams the hills of Tennessee, trying just to live, and occupying himself with... unspeakable acts.

McCarthy brilliantly describes this child's descent into depravity, his bizarre yearnings, and the horrific results when his lusts are acted upon. And there is something childlike about Ballard, not innocence, but the ugly petulance of a child not getting what he wants. Not someone we sympathize with, much, but someone we watch with dreadful fascination. And there are other creatures in these hills, with strange speech patterns and worrisome familial relationships, making the movie Deliverance (released just a year before this was published) seem like a walk in the park.

But this is not just some sensationalized tale of hillbilly stereotypes and profligate degeneracy. There is much to meditate on here, not least of which is what happens to those people neglected, marginalized, on the fringes, forgotten. Nothing good really. They haven't forgotten us after all. Sounds like a drag, but it's a funny book too, with much twisted humor, albeit mostly at Ballard's expense.

Apparently this is being made into a movie directed by James Franco. Hopefully it will be as good as the other Cormac McCarthy books that have made it to film. But the movies don't have McCarthy's haunting and  hallucinatory prose, so you won't get descriptions like: "he moves along the barn wall, himself fiddlebacked with light, a petty annoyance flickering across the wall-ward eye".

Sunday, April 29, 2012

Protector by Larry Niven (1973) classic hard science fiction with knobby aliens

Cover by Dean Ellis


I read just about all of Larry Niven's novels published in the 1970s, including the ones written with Jerry Pournelle. I  enjoyed them all immensely and this was one of my favorites. Protector (1973) is part of his Known Space series of short stories and novels.  It's an imaginative tale, complete with fascinating aliens and much hard science which were Niven's trademarks. His ideas are quite large, in a literal big picture kind of way, making time and the incomprehensible size of universe central to many of his plots. This one is no exception, dealing largely with travel through the vastness of space. Prose style and characterization were not Niven's strong suit, but there are many mind-bending ideas, and it's written well enough so it's an enjoyable read, or in my case reread. 

Tuesday, November 22, 2011

Bachman-Turner Overdrive II (1973) - takin' care of you-know-what

The 8-track, a genuine 1970s artifact

I've been listening to this on my iPod while walking to work. Back in the 70s I had it on eight-track tape. A magical medium the eight-track was, plastic casing with the cover glued on - usually resulting in bubbles and folds - and of course a song or two interrupted in mid-play for the track to change. Still, it was pretty cool for a few years at least and was around for the entirety of the 1970s.

Bachman-Turner Overdrive was also around for most of the 1970s. They formed in 1973 and released two albums that year, including this one, the imaginatively titled "II". It's good straight ahead working class rock 'n roll and included their first smash singles "Let it Ride" and "Takin' Care Of Business". There are some other decent songs, notably "Welcome Home" and "Tramp", and some surprisingly nimble guitar work from Randy Bachman. Not the greatest band ever, but an enjoyable album that I remember with fondness.




Saturday, October 15, 2011

The Three Musketeers (1973) and The Four Musketeers (1974)



I remember seeing both of these movies in the theaters upon their original release. I would have been in my early teens and I thought they were quite exciting and very funny. Re-watching them again over 35 years later I'm happy to say that my original impression hasn't changed significantly. The cast is quite good, with Michael York, Oliver Reed, Raquel Welch, Faye Dunaway, Charlton Heston (in a cameo) and Richard Chamberlain. Shot in Spain and directed by Richard Lester. Set designs and costumes are excellent.
Michael York (D'Artagnan) comforts Raquel Welch (Constance)

Originally shot as one movie, thee producers decided to break it into two movies when they saw how much film they had (resulting in a lawsuit). The first movie has more of a comic feel to it. Lots of pratfalls and silly goings-on. Can be rather tiresome, although when I was a much younger I thought it hilarious. It becomes more serious as the plot unfolds. The second movie has more weight to it and the funny business is less, making it the stronger of the two movies.



Note should also be made of the brawling swordplay, which is choreographed wonderfully. Faye Dunaway is also especially delicious as the evil Milady de Winter. Oliver Reed is at his most likeable. Altogether a superior movie version of the Dumas novel (which I confess I've never read and only have other movie versions to compare this to), I found it quite enjoyable and rewarding to watch again.